When it comes to movies, I am a sucker for good
animation. Regardless of genre or
subject matter, whether it’s hand-drawn, CGI, or stop-motion, any film that
features great animation gets a huge boost in my opinion of it, even if other
aspects of the film aren’t necessarily as good (see Brave, for one
example). If I had to give a reason for
this, I would have to say that I love the nearly unlimited possibilities
offered by animation. Animation can be
used to enhance any genre, it an be utilized for any subject matter. Unlike live-action films, which are still
constrained by the more limited visual possibilities of the „real world,“
animation can use any colors it wants, take any tone it wants, and break as
many laws of gravity as it pleases without having to resort to a
green-screens. Animation is not a genre-
it is a method that can be adapted to ANY genre you can think of, literally,
any genre, and enhance it.
For
this reason, it always discourages me that animation (at least in the US) is
still considered to be „kid’s stuff.“
That is to say, if a film is animated, the automatic assumption is that
it HAS to either be meant exclusively for little kids (i.e., over-simplified
and stupid), or it has to be a „family film,“ safe enough for kids but complex
enough for adults to be able to enjoy it as well. And that really doesn’t make a whole lot of
sense for me. Adults are able to handle
issues of far more complexity and subtlety than kids are, so why not, in
addition to the great tradition of „family“ animation in this country, have a
whole other level of animation devoted to the even greater heights and depths
of storytelling that adult live-action films have been exploring as long as
films have been around? This is already
the case in Japan, where animation is used in both kids movies and adult
fare. They have their fun, innocent,
kid-directed films like Kiki’s Delivery Service, while also recognizing and
appreciating the deep and complex tones and messages of darker, more adult
films like Grave of the Fireflies and Princess Mononoke.
I
am hopeful that attitudes towards animation are starting to mature more in this
country. Animation via motion capture
(used in films like Avatar and Tintin) is starting to blur the traditional
boundaries between animation and live action, and in 2001, the Academy Awards
finally created an award that formally recognized full-length animated films,
in the wake of Pixar’s CGI revolution and Disney’s „Golden Age“ in the
mid-90’s, when The Beauty And The Beast became the first animated film EVER to
receive a Best Picture nomination (and remained the only one until Up and Toy
Story 3 got nominated in 2010 and 2011, respectively).
And,
when you look at the list of animated films that have been nominated in the 13
years or so since the award was created, there’s already a huge variety of
really great animated films that have come out in the last decade. So, in honor of all things animated, and in
honor of the great line of animated films that have come out in the new century
alone, I will be devoted the next two articles in this blog (and possibly more)
to ranking and revisiting the films nominated for Best Animated Feature since
the award was created.
-Judge Richard
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